Research: Parental Dynamics in Film

Recently, I've watched a lot of films about a parent and a child. Now, these pieces weren't completely focused on the dynamic but they gave me some insight as to the visuals of oft loving, but equally problematic parent-child relationship. It was a complete coincidence that I watched these two films but the parenthood is at the forefront of the thematic concerns (of course, I intend on watching certain films specifically to research for my piece) so I find it very appropriate to talk about them. The two films are There Will be Blood (2007) and Anatomy of a Fall  (2023). 

There Will Be Blood is a much more curious case since the story is quite far removed from parenthood. Daniel Plainview, an oilman, moves to an uncultivated land, which he leases for cheap, and then grows his wealth through an expansive drilling business. What sets him apart from the other oilman, as he states in the beginning of the film (and once more painstakingly at the end) is that he is a family man. He brings his son, H.W Plainview around with him and calls him his partner as well. It's clear that Daniel has a mercantile perspective on his son, but it's also pretty apparent to me that he has real love for H.W. 

If you haven't watched this film, then you can avoid this section as There Will be Spoilers.

Almost all of the shots which where both characters are concerned early on in the film are shot as two-shots. Daniel's paternal care for H.W is not a fabrication and the two share a relationship on screen. The big exception to this trusting relationship is when Daniel abandons H.W, which is also shot as a two-shot but Daniel walks away from the train as H.W is stuck on it. The arguably most famous scene from this film is when Daniel is forced to admit he has abandoned H.W. 

A guttural scene, where Daniel lays out his emotions in an incredibly raw fashion. Daniel confesses, in front of a church congregation that he has abandoned H.W but if you know anything about his character, then you know he doesn't really care for the judgement of a few random churchgoers. Instead, the moment of realization hits him, that he has chosen his oil business over his child, that he has abandoned his boy. This is a powerful moment in the movie, and as for what I learned from it...well it's more about character writing for a Neowestern epic than for a family focused drama but I think there are lessons to take away from it in terms of composition (as previously mentioned, the two-shots). Most evidently, their final interaction is a shot-reverse-shot with an interpreter on the side, translating H.W's sign language, another layer of separation between Daniel and H.W. As Daniel's soul crumbles, he becomes further and further detached from H.W.

H.W as his father berates him unjustly.

Anatomy of a Fall is more family-focused (I should mention that I will also be spoiling this film though not as much as I did for There Will be Blood). When Daniel's father dies, his mother is suspected as the killer, and Daniel, a blind-child, is the sole witness. Though it has a typical murder-mystery plot, it intertwines the family drama and whodunnit elements very cleanly. Daniel is shot far away from his parents most of the time, his mother, because he feels distanced from her as she becomes increasingly more villainous in his mind through evidence at the trial and his father, because, well, he's dead. Triet's crime-drama leaves the truth ambiguous, we only know that Sandra is acquitted legally but that it should not alleviate our doubts as to her guilt. The real climax of the film, then, is the consolidation inside of Daniel's mind about their family. Even though Sandra and Samuel had difficulties in their marriage, Daniel understands it as a story not of malice but of poorly organized ergonomics. 

A fantastic performance from child actor, Milo Machado-Graner

The lesson of Anatomy of a Fall is, as Daniel testifies at the end, that we should observe "why" things happen and not "how" things happen. A story about a family should focus on the causes, and not the consequences. The consequences are obvious if the causes are illuminated with narrative clarity. My biggest takeaway from Anatomy of a Fall is that I shouldn't be heavy-handed about the struggles between my father and son character. 

Both films are spectacular and you should definitely watch them if you haven't yet. If you missed my spoiler warning, sorry...

Timeline

 Week 1: 

-Choose genre （probably drama) 

-Begin developing the plot  

-Genre research 

 

Week 2: 

-Write screenplay  

-Watch some films for inspiration/genre research 

-Compile shot list along screenplay 

-Look for actors  

-Look for shooting locations 

 

Week 3: 

-Watch more drama films like mine (Aftersun, in particular) 

-Look into editing techniques since I have a specific one in mind  

-Write screenplay  

-Storyboarding 

-Look for actors, shooting locations 

 

Week 4: 

-Probably getting around to finalizing the screenplay  

-Casting! With friends and other select people 

-Continue looking into editing techniques 

-Start to think about the print component 

 

Week 5: 

-Finalize screenplay 

-Choose my actors.  

-Make a shooting schedule.  

-Get footage 

-Get shooting equipment from somewhere. 

-Practice the editing techniques with sample footage 

 

Week 6: 

-Get footage  

-Plan print component visuals  

 

Week 7:  

-Get footage. Hopefully enough to finish all necessary filming.  

-Line edit, some other post-production.  

-Think about distribution, what I may write for CCR. 

 

Week 8: 

-Finish filming, finish post-production. 

-Research for CCR.  

-Work on the print component.  

 

Week 9: 

-Draft CCR. More research  

 

Week 10: 

-Finalize everything, tie up all loose ends.  

-Post CCR.